• Skip to content

Primary

  • Recent Work
  • Paintings
  • News
  • About
  • CV
  • Press
  • Contact
  • Store
  • Back
  • Screenprints
  • Reliefs
  • Installation
  • Time Lapse
  • Back
  • Futures Past
  • Floor Plan for the American Dream
  • I’ll Never Have That Recipe Again
  • Reinventing the Wheel
  • Archive
  • Pricelist
  • Back
  • Quotes & Links
  • Catalogue essay

Jane Richlovsky

Primary

  • Recent Work
    • Screenprints
    • Reliefs
    • Installation
    • Time Lapse
  • Paintings
    • Futures Past
    • Floor Plan for the American Dream
    • I’ll Never Have That Recipe Again
    • Reinventing the Wheel
    • Archive
    • Pricelist
  • News
  • About
  • CV
  • Press
    • Quotes & Links
    • Catalogue essay
  • Contact
  • Store

Color Schemes

 Posted on on February 27, 2014

matisseboth

For our Color Boot Camp final project, each student picked a black-and-white reproduction of a masterwork and imposed their own color scheme on it, repainting the image in the same values with new colors.  Anne chose an analogous color scheme for this Matisse: Red violet, violet, and blue-violet, adjacent colors on the color wheel. The swatches we’d made earlier came in handy for everyone to see what they had to work with:

matiseepalette

The rules were that you had to use one of your previously mixed limited palettes, match the light-dark relationships on the original, and confine yourself to one of three standard color schemes: complementary (e.g., red & green & whatever neutrals you can mix from those two), split complementary (e.g., red, blue-green, yellow-green, and mixed neutrals), or analogous (see above)

Another student covered Wayne Thiebaud, using a split-complementary scheme of green, red-orange, and yellow-orange:

thiebaudpalette

No one was allowed to look at colored pictures of the original until they were done.

Here’s her version of  “Around the Cake” with Wayne’s own on the right:

thiebaudcoverthiebaudAroundthecake

And below left,  Matisse by Anne, and right, Matisse by Matisse. Matisse showed uncharacteristic restraint with his triadic scheme of the three primaries.

matissefinshedmatisse11

In many of his later paintings, one can only classify the color scheme as “All of Them.” (We’ll try that one in Color Boot Camp III perhaps.)

Red Robe and Violet Tulips, 1937
Red Robe and Violet Tulips, 1937

Share this:

  • Click to share on Twitter (Opens in new window)
  • Click to share on Facebook (Opens in new window)
  • Click to email a link to a friend (Opens in new window)

Post navigation

Previous
Next

Primary

Recent Posts

  • Remembering Drake
  • Keep the House & Senate, get a print!
  • Turn it up to Eleven
  • Going, going, gone!
  • Art-making Machinery
  • Andy’s Ambition
  • I want to be a machine*
  • Eat Dessert First!

Categories

  • business
  • color
  • commissions
  • composition
  • drawing
  • installation
  • painting
  • pattern
  • perspective
  • press
  • printmaking
  • teaching
  • uncategorized

Search the site

Newsletter

Follow us

Follow us on InstagramConnect with us on Linkedin

© 2022 Jane RichlovskyMINIMAL

x